mfa show, MICA

'The material history of women’s craft precipitates and generates a model for soft resistance in responding to the hard, masculine, patriarchal world. Through an articulation of softness—softening materials and technology — we can restructure our relationship to hard, material impositions and carve new soft, interwoven, communal- communicative spaces.'

An excerpt from my MFA thesis in the Rinehart School of Sculpture at the Maryland Institute College of Art in Baltimore, Maryland.